Issue 38: Colorful Black

Carlos Alvarado demonstrates to us how to light a rich dark skin complexion using bluish-green gel to his main light. In combination with other gels, the results were magnificent: it was flawless and created a flattering skin tone.
 
With Issue …

Issue 36: Victorian Spring

Elena Paraskeva shares her creative process on how she came up with an idea all the way to the final product of creating the Victorian Spring, not to mention a few tips on working with animals. 
 
Victorian Spring is this month’s cover of Go…

Issue 35: Ski and Snow Board Photography

Don’t get cold feet! Robin O’neill definitely captures the ethos of winter amid the critical and harsh weather condition. As an adventurer herself, she provides us with practical tips on her trip to photograph ski athletes.
 
This month’s cover, Ski and Snow Board Photography, together with stories put together by five bold and fascinating photographers, we wrap up your December with Issue 35, where we share with you practical photography tips and ideas with relevance to Winter.
 

I wish you good light!
Michael

 

Issue 34: Creatures

Do you want something wicked for November? I think it’s time we take a glimpse into the world of Sombre Photography. Anna Lucylle created a dark series with a goal to unleash original characters from scratch. 
 
Creatures is the cover story from Good Light! Issue 34, where we share with you practical photography tips and ideas with relevance to avant-garde concepts.
 

I wish you good light!
Michael

 

Issue 32: Varanasi Travel

Tommy Reynolds takes us on a journey to India’s spiritual haven, the Varanasi. By using off-camera flash and sharing his preferred lightweight travel gears, he makes us realize the appreciation of life by being lost in translation and by fascinating us in the kaleidoscope of India’s culture. 

This accompanying video features Varanasi Travel, the cover story from Good Light! Issue 32. In this issue, we share with you practical techniques for travel photography and snippets of inspiring stories all around the world: from adventures in the spiritual haven of India, classical cities of Europe, random encounters in the Americas, to the massive waves of Australia.

I wish you good light!
Michael

 

Issue 30: The Ironman Winner

On the coast of Fuerteventura, Rasmus Kaessmann takes advantage of the beach location to portray a dramatically tough workout. Rasmus had the opportunity to do a shoot with Ironman winner and Head Coach of the Asics Training Squad, Max Longrée.
 
The Ironman Winner is the cover story of Good Light! Mag Issue 30. This issue demonstrates how to use lights to your advantage when capturing movements from dancers to athletes.
 

I wish you good light!
Michael

 

Issue 27: Lake Dream

In a country lake in Bearsted, Tommy Reynolds took the location as an opportunity to shoot surreal scenes of a young girl waking up in a dream but on a bed floating in a lake. It was indeed a challenging photoshoot from creating multiple scenes, direc…

Issue 25: Wide Angle & Accent Flash

Together with professional photographer Carla Victorio, I was privileged to shoot romantic pre-wedding photos of two lovely couples on the picturesque island of Lanzarote.

This accompanying video is from Good Light! Issue 25. In the video, you see how Carla and I are shooting with our “voice activated light stands” on Lanzarote.

Get the mag here: http://GoodLightMag.com/subscribe

I wish you good light!
Michael

 

Issue 25: Wide Angle & Accent Flash

Together with professional photographer Carla Victorio, I was privileged to shoot romantic pre-wedding photos of two lovely couples on the picturesque island of Lanzarote.

Our focus for this photoshoot is to work on the combination of wide angle photos, flash photography, and the Voice Activated Light Stand (VAL).  Many wide angle photographers stress out over how to position the flash.  The challenge for using a flash in wide-angled photos is the space on the right and left of the subject.  You can’t place the flash as you would normally or you risk having the flash inside the frame of your photo.

Photographing lovely wedding couples in Lanzarote gave us that exact challenge. Shooting as wide as 17 millimeters on a full frame camera, a strong portable flash, in this case the Indra360, really made our subjects stand out. The shutter speed is dialed up to as high as 1/2000s, but stuck to a standard reflector. 

Typically,  flash was taken off of the camera.  We would try to position it between 45° to 90° from the photographer and the camera, keeping in mind that the closer they get to 90°, the more risk of exposing the flash from background.  We used an Indra360 on a VAL to keep the flash as close to the subjects as possible while ensuring it stayed out of the frame.

Using a VAL is what really makes this work.  We have someone outside the frame holding the flash in their hand or on a pole.  For a flash pole, we use a tripod called the Travel Angel by Benro. With this mounted flash, we can direct the VAL so they are just outside the frame. Instead of creating downtime by adjusting the flash again and again, we simply tell the VAL to “take just one more step to the left.” This way, the shoot keeps moving and stays fun.

Creativity comes in handy when trying to position the flash.  Sometimes we try to hide it behind a tree or behind the couple, which can create an interesting effect.  Beyond the position, the power also needs to be kept in consideration. With a brand new Odin II controller from Phottix, we can simply rotate the dial up and down to make adjustments.

In addition to the flash we used in this shoot, we were able to allow the bright, ambient light to help give energy to the shot.  Certain locations such as the narrow little streets of Teguise, Lanzarote’s former capital, allowed us to capture white walls, acting as leading lines against the blue sky. The wide angle lens amplified this effect by adding a dramatic perspective. All lines led to the lovely couple, of course, keeping us at the forefront of the shoot. But at the end of the day, it was creative positioning of the flash, often using a VAL, which allowed us to create one poignant, wide-angled keepsake after another.

This accompanying video is from Good Light! Issue 25. In the video, you see how Carla and I are shooting with our “voice activated light stands” on Lanzarote.

Get the mag here: http://GoodLightMag.com/subscribe

I wish you good light!
Michael

 

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Eyefi Mobi Pro Giveaway

EyeFi is giving away 5 Mobi Pro Cards!

GoodLight! readers can now automatically secure camera files to the cloud right away! The Eyefi Mobi Pro Card directly transfers jpeg and RAW files from the camera to your desktop or mobile devices to use with your favorite tools, like Adobe Lightroom and Photoshop. In Issue 22: Flash for Fantasy, Michael highly suggested coming up with a backup plan. Emphasizing his fellow photographer’s mantra “No back-up, no mercy”, the Eyefi Mobi Pro Card does an excellent job at securing your photos under critical and rush situations.

Simply enter yourself in the giveaway:

==> http://bit.ly/1OI1SWJ

Secure your chance to win one of them. The giveaway ends on the 17th of December 2015, Thursday midnight, US Eastern Time.